Unions seek video iPod residuals
posted on
Oct 17, 2005 09:20AM
By Reuters
Published: October 17, 2005, 4:55 AM PDT
If Apple Computer`s new video iPod is as successful as expected in delivering paid programming over the Internet, Hollywood`s unions want their share and are worried about being shortchanged on residuals.
Writers Guild of America West President Patric Verrone was the latest to voice these fears, issuing a letter to members Friday that said WGA West and its sister guilds are unwilling to accept the DVD residuals formula, which takes most of the money off the table before sharing a set percentage of gross revenue.
Verrone said he was particularly concerned after an ABC executive suggested that, indeed, the DVD model might be the most appropriate.
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Apple`s Steve Jobs unveils an iPod that lets you play last night`s episode of ``Lost.`` Also onstage: a slim new iMac. ``Make no mistake, that formula (which significantly discounts the revenue streams upon which the residual is based) is clearly not applicable in this case,`` Verrone said.
Said ABC: ``The guilds are our business partners, and we always welcome a dialogue with them on any business-related issue that affects their members.``
The unions want to have those discussions in the next few weeks.
Verrone said he was having lunch with American Federation of Television and Radio Artists President John Connolly on Wednesday, when both first learned of the new product.
Apple hopes to do for video what earlier versions of the iPod did for music, especially in making it easy for consumers to buy individual songs and episodes through its iTunes store. The initial video offerings include such ABC and Disney Channel series as ``Desperate Housewives`` and ``Lost,`` with episodes being available the day after their initial broadcast for $1.99 apiece.
Verrone said he and Connolly immediately realized that they, as well as Directors Guild of America, Screen Actors Guild and WGA East, need to ``ensure that this new distribution system is covered by the appropriate formulas in our respective contracts.``
Previous Next WGA West continues to believe that the proper formula is the existing one covering pay television. That entitles writers to 1.2 percent of the entire producers` gross. DGA has an identical formula, while SAG gets 3.6 percent, and the International Alliance of Theatrical Stage Employees gets 5.4 percent.
The DVD formula, by contrast, is much less lucrative for all of these guilds because it pays a slightly higher percentage based on only 20 percent of the wholesale receipts. The remaining 80 percent is withheld by the studios to cover manufacturing, distribution and marketing costs.
The unions feel that the DVD model is outdated and fundamentally unfair, leading them to demand a greater share in last year`s negotiations with the studios and networks. The effort was unsuccessful when the Alliance of Motion Picture and Television Producers made it clear that it was willing to endure a strike to protect DVD revenue, which has become fundamental to the economics of film and TV production.